TV Commercials
Fifteen or thirty seconds, written, shot and finished to broadcast standard. We handle ClearAds approval and deliver it to the broadcaster of your choice.
Service 04
One finished piece, made properly. Planned, shot on location and delivered ready to run.
What We Offer
Not every business needs content every week. Sometimes you need one video, and it has to be good, because it is going on television or in front of a tender panel or at the top of your website where every customer will see it.
We come to you. The crew can include a director and videographers, and their job on the day is to walk you through it and come away with what the piece actually needs, rather than handing you a shot list and hoping. You get a finished asset, not footage.
What We Make
These are the productions businesses come to us for outside of an ongoing content plan. If what you need is not on the list, ask anyway.
Fifteen or thirty seconds, written, shot and finished to broadcast standard. We handle ClearAds approval and deliver it to the broadcaster of your choice.
The piece at the top of your homepage that decides whether someone keeps scrolling. Usually the highest-leverage minute of video a business owns.
Event coverage, recruitment video, product launches, safety and training pieces. One-off jobs with a clear purpose.
On Television
Getting a commercial made is the easy half. Getting it cleared, formatted and accepted by the broadcaster is where most businesses come unstuck, so we do that part too. Two levels, both quoted per project.
Fifteen or thirty seconds
Everything needed to put a clean, professional commercial on air. This is the level most local businesses run.
Fifteen or thirty seconds
For a commercial that has to hold its own against national advertising rather than the shop down the road.
Every commercial includes creative direction, production support and export-ready delivery for your broadcaster or platform. Travel outside Toowoomba, drone work inside restricted airspace and complex ClearAds claims are quoted on top, and we will tell you about them before you commit rather than after.
What Comes With It
On The Day
A production day only works if someone has already decided what every shot is for. We arrive with that worked out, so the time on site goes into getting the footage rather than into working out what we are filming.
The businesses we shoot for are mostly not actors, and they do not need to be. The director's job is running the day so the people in front of the camera come across the way they do in real life. That is the whole trick to a commercial that does not feel like one.
How It Runs

We work out what the video has to achieve and who is watching it, then write to that. For a commercial that means a script tight enough to land in thirty seconds. For a website video it means knowing what someone needs to see before they pick up the phone.

On location, with the crew and gear the piece calls for. Drone work is flown under a CASA-approved licence, and if the location sits inside restricted airspace we sort that out beforehand instead of finding out on the day.

Edited, graded, scored and finished in house. Voiceover recorded, animated graphics built, sound design laid in.

If it is going to air we put it through ClearAds and deliver it to the broadcaster in the format they want. If it is going anywhere else, you get it exported ready for that platform. Either way it lands finished.
We value relationships, handshakes and reputation. No lock-in contracts.
Keep Looking
An ongoing weekly output rather than one production, and priced by volume instead of per project.
Puts a finished production in front of the people who need to see it, and counts what that costs.
Built to make someone trust you over half an hour, where a production is built to sell something specific in under a minute.
Where a finished production often ends up living, built so the site matches the work.
FAQs
Still stuck on something? Call Jack on 0447 219 692.
No. Plenty of these are one-off jobs for businesses we have never worked with, and there is no expectation of anything after it. If it goes well and you want more, that conversation can happen later.
It is the clearance process every commercial has to pass before a broadcaster will run it. If your video is going to air, yes. We submit it and manage it, and if a claim in your script is going to cause trouble we will flag it while it is still a script.
Usually. Our drone work is flown under a CASA approval, and 4K comes standard on the premium level. Restricted airspace near an airport or a controlled zone takes extra approval, which we sort out ahead of the shoot.
A standard commercial is a couple of hours on location and about a fortnight all up, depending on revisions and clearance. Bigger pieces run longer. We will give you a real timeline when we quote it.
Yes, regularly. Travel outside Toowoomba is quoted on top of the production, and you will see it in the quote rather than on the invoice afterwards.
Every production is quoted on its own, because a thirty second commercial and a full day of event coverage are different jobs. Tell us what you need made and where it is going, and we will put a number on it.
You can keep your share, or take more of it. Tell us about the business and we will see if it makes sense to work together.
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Same work on every platform. Pick one and come along.